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L.A. Beat

CASA exhibits include clay and Queeriosities

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Two new exhibits opening at CASA tonight feature clay and queeriosities.


“Transmissions features new works by Southern Alberta artists Jamie Hume, Giselle Peters and Mark Porcina.
“ The three artists all have  put their unique interpretations using the medium of clay,” described curator Darcy Logan. There are 20pieces in the exhibit which runs  June 27-Sept. 10.


Artist Jamie Hume and her sculpture of her grandmother. Photo by Richard AmeryThey are exploring their personal history as well as the mythological world,” he continued.
 Artist Jamie Hume explored her family history through her pieces.
“I’ve been exploring my family history,“ she said, noting  finding an old photograph of her grandmother, Jessie Martin Hume.

Hume is a first and second generation Canadian as her mother was born in England and her dad’s mom and dad were both born in Scotland but met and married in Canada. 


“ I love history and I never got to talk a lot with my grandmother before she passed on. Her family claimed to be Pictish descendents. They had darker skin and darker hair. they weren’t the stereotypical red haired, fair haired Scottish,” she continued.
 She created a clay sculpture of her grandmother, but while exploring the history of Pictish mythology, was inspired to create a couple of larger, more fantastical sculpture.
“ They’re a little more mysterious,” she said.


 The second exhibit is  Cabinet of Queeriosities III, which has expanded from old cabinets at the old Bowman  Arts Centre to an entire room.

 It is a group exhibit curated  by Leila Armstrong.
“ There are a variety of works. which examine LGBT issues,” said Logan, who also has work in the exhibit under is nomme de plumme Frater Tham.

 Frater Tham and his contributions to Cabinet of Queeriosities III at CASA. Photo by Richard Amery
“The artists are parents of gay people, friends of gay people or who are gay themselves,” he said.


“CASA has a  responsibility to stand in  solidarity with marginalized groups who face  prejudice, he said.
 His works feature  his face imposed upon people dressed up as girls which  play on the stigma put upon men who dress up as women.


“ They’re faux vintage photographs of my face on  bodies of girls.  My face is on the bodies of little children. Some of them are quite humourous, but when you read the titles they take a more serious tone. They make you uncomfortable,” he said.


 “ Sometimes humour is the best way to open up a dialogue,” he continued.
 The works are in a variety of styles and utilize a variety of mediums.
 Both exhibits run  June 27- Sept. 10.


The opening reception is  7 -9 p.m., June 27.

—By Richard Amery, L.A. Beat Editor
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